It’s been a while since I last participated in First Lines Fridays, so why not jump back in again?
First Lines Fridays is a weekly feature for book lovers hosted by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? The rules are as follows:
- Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page
- Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first
- Finally… reveal the book!
If you’re using Twitter, don’t forget to use #FirstLinesFridays!
Without further ado….
My parlor smelled of linseed oil and spike lavender, and a dab of lead tine yellow glistened on my canvas. I had nearly perfected the color of Gadfly’s silk jacket.
The trick with Gadfly was persuading him to wear the same clothes for every session. Oil paint needs days to dry between layers, and he had trouble understanding I couldn’t just swap his entire outfit for another he liked better.
And the book reveal is….
From Simon and Schuster:
Isobel is an artistic prodigy with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel’s paintings are highly prized. But when she receives her first royal patron—Rook, the autumn prince—she makes a terrible mistake. She paints mortal sorrow in his eyes—a weakness that could cost him his life.
Furious, Rook spirits her away to his kingdom to stand trial for her crime. But something is seriously wrong in his world, and they are attacked from every side. With Isobel and Rook depending on each other for survival, their alliance blossoms into trust, then love—and that love violates the fair folks’ ruthless laws. Now both of their lives are forfeit, unless Isobel can use her skill as an artist to fight the fairy courts. Because secretly, her Craft represents a threat the fair folk have never faced in all the millennia of their unchanging lives: for the first time, her portraits have the power to make them feel.
